I'll Give You Flowers.

By Kim Roberts

A couple, in their mid-forties. Can be any race or ethnicity. The stage is empty except for a car seat. MAN and WOMAN are sitting side by side; MAN is driving.

WOMAN

Well, that wasn’t so bad, was it?

MAN

Honey...

WOMAN

Well?

MAN

That’s hardly a testament to the quality of my relationship with my mother--that I made it through another one of her dinners without strangling her.

WOMAN

For God’s sake, Kevin. You sound so violent.

MAN

She makes me feel violent.

WOMAN

Now you don’t really mean that. You know it.

MAN

I do. Someday I will reach right across her white Irish linen tablecloth, wrap my two hands tightly around her neck, and strangle her.

WOMAN

You know how this kind of talk upsets me. I wish you wouldn’t.

MAN

The three forks and the lace napkins and the silver coffee pot...does she think she’s the fucking Queen of England?

WOMAN

You know, she isn’t using her good china simply to annoy you personally...

MAN

And the endless recitation of the ailments! I thought she’d never stop. Who wants to hear her details of her colonoscopy over dessert?

WOMAN

That was hardly good timing, I concede that. But she’s an old woman, Kevin, and naturally she’s concerned about her health.

MAN

Oh, she’ll live to be 120. She’s hardy, all right. You watch: she’ll outlive me.

WOMAN

She might.

MAN

She’s a wily old buzzard.

WOMAN

She might outlive you if you go on this way, provoking your poor wife.

MAN

Provoking my wife?

WOMAN

Your poor wife might be forced into some drastic action--in bed, later, with a kitchen knife.

MAN

A threat? From you? A threat of physical violence?

WOMAN

No, no, no...just consider it a warning.

Pause. MAN mimics turning the wheel and both lean to the left, then straighten out again.

MAN

What was all that about my cousin Irving?

WOMAN

She did go on, didn’t she?

MAN

As if Irving was the pinnacle of good taste.

WOMAN

Mmmm.

MAN

And what was the point? Flowers? How can anyone be that concerned about flowers?

WOMAN

Not just flowers. Wedding flowers.

MAN

Where did she learn her botany? The discussion was interminable.

WOMAN

Yes.

MAN

Interminable!

WOMAN

Yes.

MAN

Who cares? What’s the point? The arrangements, the color--by God, she delivered an exegesis on flower arrangements!

WOMAN

But you know why.

MAN

“The balance of the hues.” What was that about?

WOMAN

You know why.

MAN

I know why?

WOMAN

Kevin, don’t be so obtuse.

MAN

Obtuse?

WOMAN

That wasn’t about Irving, that was about us!

MAN

That was about us.

WOMAN

Kevin--she’s still harping on the fact that we got married by a Justice of the Peace. We didn’t have a “real wedding.”

MAN

How do you get this?

WOMAN

How do you not get this? She’s your mother. And by her reckoning, you cheated her out of the pleasures of flower arrangements and cakes and bridesmaids, and she’s not forgetting it.

MAN

So this was meant as an insult? That whole conversation?

WOMAN

Oh, Kevin.

MAN

Honey, it’s not effective criticism if I don’t get it.

WOMAN

I thought it was very pointed.

MAN

Isn’t there a statute of limitations on this stuff? We’re married--what?--six years?

WOMAN

(Annoyed)

Seven!

MAN

Seven years. Right. I knew that.

WOMAN

I swear...

MAN

The topic is old. I mean, she can’t expect us to continue having this same conversation for the next seven years, can she?

WOMAN

I can’t believe you.

MAN

If what we had tonight even counts as a conversation.

WOMAN

Right.

MAN

Because as I understand it, a conversation is defined as two people actually communicating something to one another.

WOMAN

As I understand it, both parties in a conversation are actually required to listen to one another. That’s a novel idea.

MAN

If she wants to make a point, she’s got to be more obvious.

WOMAN

Obvious? Obvious?

MAN

She should be your mother. You know how to read her. Me, I need an interpreter.

(Pause)

Now that I know, I’m insulted.

WOMAN

Kevin.

MAN

I’m really hurt. Wounded to the core.

WOMAN

Listen, you may not care, but I do.

MAN

I’m bleeding.

WOMAN

She’s your mother.

MAN

An accident of birth.

WOMAN

You’re a heartless son.

MAN

It stands to reason: if you want to make someone feel guilty, the first goal would be to get them to understand what the hell you’re talking about.

WOMAN

I thought she was crystal clear. Is it her fault you’re too dense to get a hint? Is it her fault you’re stupid?

MAN

Technically, yes. If I’m stupid it is her fault.

WOMAN

By God, you’re obstreperous.

MAN

That’s “if,” mind you. I make no admissions of stupidity.

WOMAN

Of course not.

MAN

Of course not. But they are her genes.

WOMAN

I feel sorry for her, I really do. She’ll get no comfort from you.

MAN

If by “comfort” you mean the ability to prod me into feeling guilty.

WOMAN

You know how she is. Give the old woman some slack. So she’s annoying sometimes. Things could be a lot worse. A lot.

MAN

(In a mincing tone)

“The pale pink hyacinths with the little spray of white baby’s breath...and the--the blue--condominiums.”

WOMAN

Delphiniums!

MAN

(in a threatening tone)

I’ll give you flowers.

WOMAN

I’ll give you flowers.

MAN

I’ll flower you.

WOMAN

You’re a flower.

MAN

Flower this.

WOMAN

In the middle of the night, I swear, when you’re sleeping. With a kitchen knife. And I’ll be entirely justified.

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Kim Roberts is the author of a book of poems, The Wishbone Galaxy, and editor of Beltway Poetry Quarterly, an online journal.