Waking
By Kate Simmons
Each
morning, when she woke and realized she was still
alive, she was disappointed.
Yet she wasn’t keen on dying. Or, at least,
hadn’t the nerve for suicide. “Active
euthanasia,” it would be called in Europe, or
wherever they allowed that sort of thing. Especially
taking into consideration her age and quality of life.
That was always the monkey wrench in life-versus-choice
debates. Quality of life.
Quality had separated itself from her life gradually,
like nail polish peeling at the cuticles and eating
inward. She barely noticed it oxidizing. Years of
imperceptible shifts—a knee that ached when
it rained, a chest that tightened in the night—and
then suddenly, one morning, quality was gone.
That was the beginning of her disappointment, and
also of her resignation to the slow and dimming march
into ineffectuality.
Friends and house plants died one by one and weren’t
replaced. China cracked and wasn’t repaired.
Plumbing failed, and she simply moved business to
the other bathroom. Her vision faded, and she didn’t
visit the optometrist.
This morning, her disappointment was mingled with
something else. She had to ponder a while to recognize
it after so many years of atrophied analysis.
It was… It was…
“Revulsion.” She spoke the word aloud,
because it was perfect. It was an exact description,
precise and pointed and perfect, with grotesque pleasure
in it.
She took stock. Dry, untrimmed nails with deep ridges
running lengthwise. Legs and armpits with infrequent
but coarse and curling hairs sprouting from spotted
flesh. Eyebrows absolved of pigment and spreading
in wiry disarray across her brow. Hair hanging flat
and colorless around a collapsed face. Under-eye circles
weighted with a double portion of gravity. A severely
curving spine. Legs so shapeless they wouldn’t
hold up socks anymore.
“Disgusting,” she rasped.
She had lost her landmarks to a world of decay. No
love to make, no birth to give, no graduations to
attend, no weddings to plan. No connections of any
kind anymore, and she had simply stopped.
But time had not stopped. She had been bypassed, and,
realizing it, hated everything.
She recognized hate. It festered, like a bedsore or
an abscessed molar, until it pressed from every side
on every sense.
She stood.
A shower. That’s what she would do. Take a shower.
A thorough one. She would wash—and condition—her
hair. Scrub everything. Shave.
But she had no conditioner, and her razor had long
since rusted away.
“Fine,” she muttered, trudging to the
kitchen. From the refrigerator she drew a half-bottle
of olive oil. Back in the lime-stained bathroom, she
rummaged through a drawer of spilled Q-tips and leaking
vats of vapor rub until she found a torn package of
pink-handled razors.
From a forlorn laundry basket in the hallway she pulled
a fraying washcloth and what had once been a beach
towel. Though privacy was the one thing she had in
spades, she closed the bathroom door. It was what
living people did.
Standing before the bathtub, she shed the ragged nightgown
and robe she’d fallen asleep in last night.
She lifted one foot, defiantly noting the knotted
toes, over the tub’s high, then clutched the
molding shower curtain for balance and dragged the
other in after it.
A shock of cold water sprang from the showerhead.
She gasped, groped in blind rage for the knob and
cranked it left.
Scalding water cascaded over her shoulders and chest,
turning the gray, purple-veined flesh bright red—the
brightest color in the room.
She reached again for the knob, but finally let her
hand drop.
Pain
was feeling. Feeling was delicious.
She emptied an encrusted bottle of shampoo, then the
olive oil, onto her head. The steam turned mixing
scents to a medicinal vapor.
The razor’s first unpracticed stroke cut her
knee. Blood dripped in a thin line down her leg and
swirled pink in the drainoff at her lobster-colored
feet.
She was fascinated by the sight of blood in water,
which she hadn’t seen since menopause. Even
so, she softened her papery knees and shins with the
last drippings of olive oil.
The disposable blade turned a bristly surface to silk,
and she felt a surprising rush of pleasure. Even after
the hot water ran out and turned lukewarm, she ran
her fingertips over her thighs in obscure homage to
a more sensual time.
She patted herself dry almost affectionately, observing
the flaming tone of her skin, the bulge of veins,
the heady chill of a draft from under the door. The
opaque steam began to stifle.
She wished it were autumn for the invigoration of
dry fresh air, then realized she didn’t know
what season it was at all. Perhaps it was autumn.
As she reached for the door, a shiver passed through
her cooling body. What world might she discover beyond
the bathroom door? Would releasing the steam into
the hallway break or extend the spell of smooth legs?
Threadbare beach towel draped about her like a toga,
hair dripping flat but fresh and turning cold, she
floated through the nest she inhabited.
She had never seen it. Not this way, as from an objective distance.
Everything—everything was faded. Colorless to the point of translucence, years deteriorating into dusty oblivion.
Dishes rusting in the kitchen sink. A used coffee filter growing mold where it had been forgotten. Peanut butter glued to a knife’s dull blade. A stiff dishrag on the table, a hand towel hanging off the counter.
A radio she could remember neither turning on nor ever listening to buzzed a grating static in the living room.
The living room.
Magazines in an untidy corner pile dated back decades and dropped off fifteen years ago. Depressions in the carpet showed the limited path trudged for years without variation—packed carpet spokes around a rocking chair hub.
She sat down, swathed in the towel and slumped in the rocking chair, and wept.
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Kate Simmons grew up in Centerville, Iowa, then earned a bachelor's degree in communication in Lincoln, Nebraska. Since then she has moved to Minneapolis, where she now resides with her husband, Nathaniel Salzman, and their dogs, Henry and Lucy. She teaches a creative writing course with community education in Eden Prairie, Minnesota, and has plans for several more works of fiction.