GH O TI

GH O  TI

   f       i      sh

Issue No. 1

 

The Year of Sighs

 

           “He loves, he suffers, he is bored—like everyone else. But when he sighs, or
           heaves an elemental groan, I want him to bring into play the rules and forms
           of his whole mind.”
                        
Paul Valery, “The Evening with Monsieur Teste”

 

          It was the year of sighs. Beatrice started it. I remember the moment as if it were yesterday: she was wearing the plaid jumper and black stockings I liked so much and her hair was loose, the strands delicate, burnished filaments in the wintry light. We’d just come in from the theater (strange: I forget what it was; some dumb semi-farce in which a man in a bowler hat kept forgetting where he’d left his umbrella--I wanted to rush up onto the stage and offer him mine. Was there a rhinoceros? A woman buried up to her neck in an ash can? Was it Beckett, Ionesco, Orton?) … Beatrice: She had a slight cold and I poured us each a small measure of brandy when we got home—Beatrice always liked her brandy. Then the phone rang (I’d forgotten to turn it off) and it was Simon with the bulletin that he was leaving Judy--I remember standing there wondering who in the hell Judy was. Was she the blonde, the redhead, the one with the appealing lisp? I put the phone down and turned to tell Beatrice the news and she’d fallen asleep, her goblet just barely maintaining its balance. I took it from her hand, and, just as I did, she brought forth this profound sigh, an elemental groan, as if an entire ship of sighs were passing through the room—I swear the windows rattled. She was dreaming, of course. And whatever the dream was, I remember praying to God that I wasn’t a part of it.

 

 

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